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Hot Doggin’ Monotonix Give Show to Remember
Entertainment - Music
Written by Johnny Elbow   
Sunday, 28 June 2009 20:33

Monotonix at Tubby Dog for Sled Island 2009. Photo by Ændrew Rininsland.

If you didn’t see Monotonix at least once during Sled Island you missed out. It was a rare treat to be a part of the Tubby Dog show on Friday, June 26. Phrases like “reckless abandon” and “total disregard for personal safety and hygiene” come to mind when trying to explain the mentality of Israel’s blues-infused, garage-rock trio.

Front man Ami Shalev was the star of the hour, which at times bordered on condiment fetishism and circle prayer, more than rock show.

Last Updated ( Thursday, 02 July 2009 02:00 )
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Xavier Rudd and the Plight of the Aboriginal
Entertainment - Music
Written by Johnny Elbow   
Friday, 26 June 2009 12:32

 

“I think my music and journey is much bigger and comes from a different place than I can really understand in my mind and how I see it, so I don’t like to fuck with it."

 


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Australian singer-songwriter, multi-instrumentalist and barefooted troubadour Xavier Rudd has been touring his latest album Dark Shades of Blue for over a year now. He recently took a week off for the first time in 10 years. He also just added a couple South African musicians to his live show, and in 2007 was named “World’s Sexiest Vegetarian Celebrity” by PETA.

But all of that is trivial to the 31-year-old master didgeridooist.

For Rudd there are more important vibes that need to be sought out and explored.

The outspoken Torquay, Victoria native has become a voice for aboriginal rights through his music, which often features aboriginal instruments and singing. His passion to bring to the forefront what most people shrug off is even more apparent when he compares the plight of Australian aboriginals to Canadian ones.

“White culture has never embraced aboriginality and only a short time ago aboriginality was shunned and they tried to get rid of it as much as they could so that’s created a current day situation where white people haven’t been educated about aboriginal culture, they don’t understand it.”

In 10 years of touring Rudd has come across “pockets of people” that share his vision for global harmony. His lyrics often cross the line into social protest and environmental awareness and are rooted in nature. Themes of fire, earth, and ocean, they all make constant appearances on his five studio albums.

It is this respect for the land and people that has directed his energy to help spread the gospel of aboriginal spirits.

Last Updated ( Friday, 26 June 2009 13:33 )
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Dieselboy, Goth Trad a Sexy Combo at Sled Island's Electronic Music Showcase
Entertainment - Music
Written by Johnny Elbow   
Thursday, 25 June 2009 18:56

Dieselboy.Photo by Ændrew Rininsland. See the rest of the photos from Sled Island in our community gallery.

Dicken’s Pub smelled like dirty sex as drum and bass made passionate love to dubstep and delivered a new baby for all the freaks, metal heads, and bassnymphos to witness and nurture during Sled-Island’s only electronic music showcase featuring New York’s premier jungle DJ Dieselboy, June 24.

Calgary’s staple dubsteppers The Supreme Hustle got the bassline rolling and proved Cowtown can evolve and lead a movement just as well as any city as they laid down a frantic set of wobbly excess. MC Think Tank provided lightning fast, fist pumping, dread-lock thrashing vocals on several tracks, adding to the DIY connectivity of the growing Calgary electronic music scene.

As the positive vibes and beautiful girls filtered in, Calgary bass master’s PK sound rolled in two, over-the-top speakers that filled in the stage, this on top a myriad of speakers, woofers, cables, wires and light. The wall of sound was set for a surprise performance by Japan’s dubstep king Goth Trad.

Last Updated ( Thursday, 25 June 2009 19:52 )
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Encryption: Lessening the Psychic Impact of Big Brother In Your Day-To-Day Life
Mind - Technology
Written by aendrew   
Sunday, 21 June 2009 18:32
It constantly astounds me how many people in the cannabis community have never even heard of encryption software yet remain constantly paranoid about the government spying on their communication.

Here’s how it is: the government has an enormous amount of data surveillance technology at their disposal, and a willingness to use it. People like activists are especially good targets for this technology. People who consume or purchase drugs are also very good targets for this. It doesn’t take much to realize how dangerous people like activist leaders dealing with a particular drug culture can unintentionally be if vulnerable to this type of attack. Further, as privacy has become less of a concern than security in North America in recent years, the legal ability of the government to pry into an unsuspecting data flow has increased. For instance, increased government surveillance powers enable authorities in the U.S. to employ a technology called Carnivore at the ISP level to monitor the totality of a target’s online activities. How are citizens — and especially dissenting voices — supposed to cope with this invasion by government into their personal lives?

Last Updated ( Tuesday, 23 June 2009 22:38 )
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Sled Island: Where it's all about the music
Entertainment - Music
Written by aendrew   
Saturday, 20 June 2009 13:00

Sled Island
Is there any question that Calgary’s Sled Island is quickly becoming one of the most sought-after summer music festival tickets in Western Canada? In its third year, the festival running June 24 to 27 has greatly expanded its scope and should be a major destination for anyone into all that the mainstream doesn’t play.

I’ve lived with a lot of hipsters in my life (and hippies too, for that matter), and say what you will about their subcultural obsessions with dress and, well, analog media — they know some damn good music. Stuff you can dance to, stuff you don’t have to look all serious to like, stuff you can listen to with your mom, stuff that gets into your head and rolls around a little bit to be forgotten, only to be remembered months later when it’s sampled endlessly in something more mainstream. Stuff that fails in all capacity to embrace the cheesy schmaltz that’s essentially devoured most popular culture in the last decade. Or if it embraces it, it does it so whole-heartedly that you can’t help but admire their balls for lampooning both their own culture and counter-culture. It’s the kind of music you listen to and think, “Wow, I want to revisit this album when I’m smoking some of what they were.”

Last Updated ( Thursday, 25 June 2009 19:46 )
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